The relationship between performative practice and the so-called Land Art has received rather few examples of their union. two fields in which the synthesis between the work with the body and the landscape reveal the sharing of such defining elements as presence, the always latent memory of the ephemerality of living bodies, or the parallels between the physical act and the rhythms of natural processes. Likewise, we must resist the temptation to reduce this union to a vision of romantic escape or questions of environmental claim.